INSUBCONTINENT EXCLUSIVE:

Whether you've just bought your first Nikon DSLR or you want to add something new to your kit bag, the wealth of choice available can be a

little bit daunting

Fear not though, as we're here to help ensure you find the very best Nikon lens for your DSLR.The guide has been split into two different

sections

First off, there's the best Nikon lenses for DX (APS-C) format DSLRs

These are lenses which are well suited - and in some cases specifically designed for - crop sensor DSLRs like the D3500, D5600 and D7500

After that, we'll be looking at lenses which are best for Nikon FX format (full-frame) DSLRs, such as the D850.You'll usually find that

Nikon DX format DSLRs are typically sold as part of a kit which comes complete with a standard zoom lens

These will often provide sufficient to get you started with, but you might soon find that you outgrow them if you want to do something a

little bit more specialized. For example, you don't get a super wide angle for landscape and interior shots, while creating those super

shallow depth of field effects can only really be achieved with a lens which has a very wide aperture

Macro lenses are very helpful for close-up shooting too. While there are dedicated DX format lenses designed to be used with APS-C sensor

cameras, sometimes FX format lenses are actually a better option, especially if you're thinking of upgrading to full-frame at a later

date. Independently manufactured lenses from the likes of Sigma and Tamron often give similar or even better performance than own-brand

Nikon lensesYou'd be forgiven for thinking that it makes most sense to use Nikon lenses if you have a Nikon DSLR

But, think twice about independently manufactured lenses from companies such as Sigma and Tamron - they often have similar, or even better,

performance than proprietary optics - but usually at cheaper prices.After some rigorous testing - both in the lab and out in the real world,

here you'll find the best DX lenses you'll find for your Nikon APS-C camera

We've included both our favourite picks, as well as close-contenders which suit those on a tighter budget.Wide-angle zoom: Tamron 10-24mm

f/3.5-4.5 Di II VC HLDA lens that lets you get a broader perspectiveType: Zoom | Sensor size: DX | Focal length: 10-24mm | Maximum aperture:

440gGood image quality and constructionOptical stabilizerPricier than some competitorsElectromagnetic compatibilityThis 'VC HLD' lens

includes optical stabilization alongside a new autofocus system which is quick and quiet

Handling is great, while the high-quality build includes weather sealing and a fluorine coating for the front element

Image quality is beautifully sharp, while contrast is high

Distortions are kept under control, while there's also fairly minimal color fringing.Great-value option: Sigma 10-20mm f/3.5 EX DC HSMFor

about the same cash outlay as Nikon’s budget AF-P DX 10-20mm f/4.5-5.6G VR lens, this Sigma is a more refined option

It's got better build quality and delivers greater image quality, but on the downside, lacks stabilization - something which is not too

problematic at this focal length.Wide-angle prime: Samyang 10mm f/2.8 ED AS NCS CSA wide angle prime that stands alone in the market Type:

0.24m | Filter size: None | Dimensions: 87 x 104mm | Weight: 580gGood build qualityFast aperture ratingNo autofocusNo optical

stabilizationWhen you're pretty much reliant on autofocus, stepping back to manual focus can feel like going backwards

However, lenses like this which promise a huge depth of field thanks to a short focal length make accurate focusing less of a critical issue

To help you out, you also get a handy distance scale to try traditional focus methods for landscape and street photography - you can try

setting the hyperfocal distance and 'zone focusing'

There's also high-quality glass which helps ensure the best possible image quality, with minimal ghosting and flare.Great-value option:

N/AWide-angle prime lenses for DX format cameras are practically non-existent

That means that the Samyang 10mm is not only the best choice, it’s also the best value.Standard zoom: Nikon AF-S DX 16-80mm f/2.8-4E ED

VRNeed a step up from the standard kit lens? This is itType: Zoom | Sensor size: DX | Focal length: 16-80mm | Maximum aperture: f/2.8-4 |

480gPro-grade build qualityHigh-quality glassImage quality could be betterRelatively expensiveTypically bundled with higher-end cameras,

such as the Nikon D500, this is the best DX format standard zoom lens

It's a great walkaround option with a flexible range and a wide maximum aperture that sees it well suited to a lot of different subjects

It's also beautifully built, with no less than four ED (Extra-low Dispersion) elements, plus nano-structure coatings along with fluorine

coatings on the front and rear elements

Focusing is swift and accurate thanks to ring-type ultrasonic autofocusing, while the VR (Vibration Reduction) stabilization system is very

effective

Sharpness drops off a little at the long end of the zoom range, while you can see some barrel distortion at the short end of the lens, but

otherwise it's a great option.Great-value option: Sigma 17-70mm f/2.8-4 DC Macro OS HSM | CRelatively compact and lightweight, this Sigma

has a variable yet fairly fast aperture rating and delivers impressive image quality, all at a bargain price.Standard prime: Tamron SP 35mm

f/1.8 Di VC USDIt’s a cracking prime lens with the bonus of stabilizationType: Prime | Sensor size: FX | Focal length: 35mm | Maximum

Weight: 480gExcellent build and image qualityGreat handling characteristicsHeavy for this class of lensNikon 35mm f/1.8 cheaperTake into

account the 1.5x multiplier (or 'crop factor') of Nikon's APS-C models and with this lens you get an effective focal length of 52.5mm, which

makes it pretty much perfect as a standard prime

This lens is also FX (full-frame) compatible, so should you find you upgrade later down the line, you can use it as a wide-angle prime,

without being limited only to 'crop mode'

As for usability and image quality, you've got fast ultrasonic autofocusing system, plus a Tamron's VC optical stabilization system which is

highly effective. Great-value option: Nikon AF-S DX 35mm f/1.8GIt’s less expensive to buy than the Tamron, matches it for aperture rating

and delivers very pleasing image quality, but it’s not as well built and lacks stabilization.Superzoom: Tamron 16-300mm f/3.5-6.3 Di II VC

PZD MacroUltra-wide to super-zoom - this is a lens that's primed for everything Type: Zoom | Sensor size: DX | Focal length: 16-300mm |

75 x 100mm | Weight: 540gWider maximum viewing angleExtra-large zoom rangeImage quality is a little compromisedSharpness drops off at long

endAvailable at a competitive price when compared with Nikon's own brand superzoom lens, this Tamron starts at 16mm, rather than the usual

18mm at the short end of its range

It might not sound like a lot, but that extra-wide-angle potential is actually very noticeable in practice

At the other end of the range, there's 300mm, which will get you nice and close to the action, too

Of course there's a compromise to be made here - that comes in the form of a little softness at the long end of the zoom range, while you'll

notice some obvious barrel distortion at the short end too.Great-value option: Tamron 18-200mm f/3.5-6.3 Di II VCRemarkably compact and

lightweight for a superzoom, Tamron 18-200mm makes an excellent ‘travel lens’ and is unbeatable value at the price.Portrait prime:

Tamron SP 45mm f/1.8 Di VC USDSuper sharp and with attractive blur - what's not to like?Type: Prime | Sensor size: FX | Focal length: 45mm |

92mm | Weight: 540gFast aperture with OSPremium build and image qualityCan’t quite match f/1.4 lensesExpensive to buyThis lens is a tad (a

lot) more expensive than cheap options like the Nikon AF-S 50mm f/1.8G

However, it is extremely nicely made and boasts an optical stabilizer that you won't always find in standard fast prime lenses

It's full-frame compatible, but on your DX format camera, it gives a focal length of 67.5mm, which makes it well-suited for portraiture

Bokeh (out of focus areas) is nicely rendered, being deliciously smooth and creamy while also keeping the subject nice and sharp.Great-value

option: Nikon AF-S 50mm f/1.8GIf you’re willing to sacrifice a little in terms of build and image quality, and can do without optical

stabilization, this budget Nikon lens only costs about a third of the price of the Tamron.Macro prime: Tamron SP 90mm f/2.8 Di VC USD MacroA

full-frame lens that performs just as well on DX bodies Type: Prime | Sensor size: FX | Focal length: 90mm | Maximum aperture: f/2.8 | Image

optical stabilizationTop-grade constructionPricier than some competing lensesNo lens pouch or soft case suppliedThis 90mm macro lens

provides a number of excellent specifications, including high-grade glass, nano-structure coating and high-quality weather sealing and

fluorine coatings

The autofocus system has been optimized for close-up shooting, while the 'hybrid' optical stabilizer counteracts for axial shift (up-down or

side-to-side movement) as well as the usual angular vibration (wobble)

All that means that this is the best lens in its class for consistently sharp close-ups - you'll want to use a tripod though.Great-value

option: Sigma 105mm f/2.8 EX DG OS HSM MacroIt lacks the Tamron’s hybrid stabilization system and weather seals, but offers refined

handling and delivers superb image quality.Budget telephoto zoom: Tamron SP 70-300mm f/4-5.6 Di VC USDAnother Tamron delivering well for the

focus distance: 1.5m | Filter size: 62mm | Dimensions: 82 x 143mm | Weight: 765gEffective optical stabilizerGood build qualityTypically

‘slow’ aperture ratingDrop in sharpness at long endThis Tamron option offers better build quality than Nikon's own DX format 70-200mm

lens, while being much cheaper than Nikon's FX format 70-300mm lens - it hits the sweet spot

Here, the ring-type ultrasonic autofocus system is fast and quiet, while sharpness and contrast are well rendered throughout the zoom range

Sharpness is a little softer at the full reach of the lens, but Tamron's own optical stabilization system works well to keep your handheld

shots free of blur.Great-value option: Nikon AF-S DX 55-200mm f/4-5.6G ED VR IIThis DX format lens is significantly cheaper to buy than the

FX format Tamron, and, while it doesn’t offer as much telephoto reach, its retractable design makes it remarkably compact for stowing

away.Fast telephoto zoom: Nikon AF-S 70-200mm f/4G ED VRFor DX format, go for a slower maximum aperture for better balanceType: Zoom |

Filter size: 67mm | Dimensions: 78 x 179mm | Weight: 850gFabulous image qualityEasy handheld shootingSlower than competing f/2.8 lensesNo

tripod collar suppliedThis is a lens that makes a heck of a lot of sense with DX format cameras

Try pairing a 70-200mm f/2.8 lens with even something like the Nikon D7500 and you'll end up with something bulky and unbalanced

By contrast, the 70-200mm f/4 option is about half the weight (and half the price) for much more comfortable shooting

This is still an FX format lens, so you'll be able to use it on either kind of body, which is good news for potential upgraders

Image quality is stunning, with excellent sharpness helped along by very effective stabilization. Great-value option: Sigma 70-200mm f/2.8

EX DG OS HSMA great bargain buy, the Sigma has the faster, often favored f/2.8 aperture rating and is a very good performer, although it

lacks weather seals.Super-telephoto zoom: Nikon AF-S 200-500mm f/5.6E ED VRExtreme telephoto reach doesn’t have to cost a fortuneType:

distance: 2.2m | Filter size: 95mm | Dimensions: 108 x 268mm | Weight: 2,300gAmazing telephoto powerSmart stabilizer with ‘Sport’

modeIt’s a weighty propositionElectromagnetic compatibilityIf you're a wildlife, sports or action photographer - this is one of the most

versatile lenses you can pick up

It's fairly unusual in that it has a constant aperture throughout the range, which at f/5.6 is not too bad for the type of lens

On your DX body, the far end of the lens will give you 750mm, which may not be quite as much as using either a Sigma or Tamron 150-600mm

zoom, but it's not too far behind

Another fantastic benefit is a 'Sport' mode, which makes it easier to track fast and erratically moving subjects through the

viewfinder.Great-value option: Sigma 100-400mm f/5-6.3 DG OS HSM | CThe maximum focal length is comparatively modest, but Sigma’s

Contemporary class super-telephoto zoom is wonderfully compact and lightweight, making prolonged handheld shooting less of a

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Best Nikon lenses 2019: 20 top lenses for Nikon DSLRs