‘We are seeing volume and interest in Peloton explode,& says company president on listing day

This morning, Peloton (NASDAQ: PTON), the tech-enabled stationary bicycle and fitness content streaming company, raised $1.2 billion in its NASDAQ initial public offering. Despite dropping more than 10% in its first day of trading — ultimately closing down 11% at $25.84 per share — the IPO was a bona fide success. Peloton, once denied (over and

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U.S. antitrust actions and privacy regulation create opportunities for privacy-first innovation

Europe shows the way in online privacy

After passively watching for

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MediaRadarnew product helps event organizers maximize sales

MediaRadar CEO Todd Krizelman describes his company as having “a very specific objective, which is to help media salespeople sell more advertising” by providing them with crucial data. And with today’s launch of MediaRadar Events, Krizelman hopes to do something similar for event organizers.

These customer groups might actually be one and the same,

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Gatsby raises $15M Series A for its modern web development platform

Gatsby, a platform that uses modern web technologies like React and GraphQL to help developers build better sites faster, today announced that it has raised a $15 million Series A round led by CRV. Previous investors Trinity Ventures, Mango Capital, Fathom Capital and Dig Ventures also participated, as did Kong CEO Augusto Marietti and Adobe CPO

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Learn how to help build a sustainable gig economy at Disrupt SF

A handful of years ago, the on-demand or “gig” economy was seen as an innovative system of modern work that provided workers and consumers alike with flexibility, independence and convenience. It seems like every week a new on-demand or labor marketplace startup would stroll through Sand Hill Road with a slick logo and a new way to flip the nature

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The Kobalt EC-1, Part IV

Kobaltedge in changing the music industry

Kobalt Music Group is driving the music industry to provide more transparency and faster royalty payments to musicians and challenging the traditional record labels and publishers with its own alternative service offerings that don’t take ownership of copyrights. Competition and market size are headwinds in its future g

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